In the new documentary “Dispatches from the Gulf,” the scientists are the heroes. The film airs for the general public for the first time via livestream on April 20 at 2pm and 7pm eastern. I got a sneak peek of the film, and trust me—you won’t want to miss it.
Since the BP Deepwater Horizon oil disaster began in 2010, hundreds of scientists around the country have been documenting the impacts of the tragedy on the wildlife and habitats of the Gulf of Mexico. This documentary tells the stories of these scientists, from the University of Miami team that built the equivalent of a treadmill for mahi mahi to test their endurance and see how oil has affected their hearts, to Christopher Reddy, the Woods Hole Oceanographic Institute scientist who scours the beach for tar balls with a simple tote bag and pair of purple gloves.
My stepdad was working on a rig in the Gulf of Mexico when I heard that one of BP’s drilling platforms had exploded that Tuesday night in April 2010. Luckily he was not on the Deepwater Horizon, but I wondered who was—did I know them? Did their families live nearby?
There are many sides to the tragedy of the BP Deepwater Horizon disaster, and a new documentary released yesterday, “The Great Invisible,” delves into the lives of the survivors, the decisions made by BP and Transocean to forgo safety measures, and the frustration that many communities felt as they pieced their lives and livelihoods back together after the well was capped.
Midway Atoll is truly “out there.” The closet population center is Honolulu, 1,200 miles to the southeast and a five-hour trip by plane. But despite its remoteness, Midway is not immune to the impacts of plastic debris.
Midway’s central position in the North Pacific Gyre makes it a sink for debris, which results in immense, daily accumulations on the island’s sandy beaches. This collection of debris—almost entirely plastics—threatens the endangered monk seals and sea turtles that inhabit Midway’s beaches and forage in the atoll’s shallow waters. Plastics that threaten the 1.5 million Laysan albatross on Midway, however, arrive in a different manner.
Artist Chris Jordan is best known for his large-scale images that deconstruct huge numbers while making a statement about our mass consumption habits. For example, the tiny pieces of plastic in “Gyre” represent the pounds of plastic that enter the world’s ocean.
The trailer includes some disturbing images of dead and dying birds, but as the narrator says, “Do we have the courage to face the realities of our time and allow ourselves to feel deeply enough that it transforms us and our future?” We can only hope the answer is “yes.”
In the shadow of the Acropolis, they set off before dawn. Men and boys driving rusty trucks, pushing heavy hand-carts, towing wagons behind battered motorcycles. As the city slowly comes to life, they are already well into their day’s work, scouring alleys and Dumpsters for old box-spring mattresses, appliances, car parts, anything they can salvage and sell at a scrap yard for a few dollars a day.
Many Athens residents have been struggling to get by since economic and political crisis erupted in Greece, threatening to engulf much of Europe. But the estimated 80,000 Athenians who collect and process scrap in the city’s informal economy were eking out their meager livings back when the rest of the city was still living large. Continue reading »