This blog post was written by John Madere, an award winning photographer.
I’m pleased to announce that the book launch and exhibition of my Tidal Anatomy portrait series opens at Site 109 in Manhattan on October 21. The images are the result of two years of photographing surfers from an unlikely perspective with my camera placed high above the surfer and beach.
The inspiration for this project came to me while walking along the shore in Montauk, New York, on a raw, windy day in the Spring of 2013. An unusually harsh winter had radically altered the beach, leaving behind arresting scenes of strewn rocks, stratified clay, decaying driftwood, driven sand, and man made debris.
Artist Chris Jordan is best known for his large-scale images that deconstruct huge numbers while making a statement about our mass consumption habits. For example, the tiny pieces of plastic in “Gyre” represent the pounds of plastic that enter the world’s ocean.
The trailer includes some disturbing images of dead and dying birds, but as the narrator says, “Do we have the courage to face the realities of our time and allow ourselves to feel deeply enough that it transforms us and our future?” We can only hope the answer is “yes.”
Underwater statues are fun to look at, but can they really function as an artificial reef? Credit: Jim Bahn flickr stream
Two of my favorite pastimes are visiting art museums and exploring new underwater habitats. But combining the two can be environmentally risky. That’s why there are a couple of things that concern me about Jason deCaires Taylor’s project in Cancun, Mexico, that has placed 500 statues as an underwater tourist attraction. Here are a couple questions I asked myself after hearing about the site.
1. How does it help ocean health?
The artist, Jason deCaires Taylor, mentions that his statues at Museo Subacuático de Arte (MUSA) are being covered with coral and algae, but this does not necessarily mean his statues are helping the ocean. When implementing artificial reefs, the placement of human-made structures onto the seafloor, you need to have biological goals in place. This ensures that your artificial reef, or 500 statues in this case, contains organisms that can co-exist in a way that mimics the natural food web over time instead of throwing it out of balance.